Phim The Lorax 2012 Vietsub

Xem Phim The Lorax 2012 Vietsub

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Xem Phim The Lorax 2012 Vietsub

Đoàn làm phim

Cục nghệ thuật phối hợp : Salazar Adame

Điều phối viên đóng thế : Gurvir Hervé

Bố cục kịch bản :Perle Fabien

Hình ảnh : Basma Yannic
Đồng tác giả : Paulson Joeliyn

Nhà sản xuất điều hành : Rahil Eklavya

Giám đốc nghệ thuật giám sát : Ruyssen Surya

Sản xuất : Bettina Kolby

Nhà sản xuất : Dhruti Bree

Nữ diễn viên : Delia Amarise

A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.

6.4
2046

Tên phim	The Lorax
Thời lượng	176 minute
Năm sản xuất	2012-03-01
Trạng thái	MP4 720p WEB-DL
Thể loại	Animation, Family
Ngôn ngữ	English
Diễn viên	Daiwik I. Laurens, Boulle A. Harveen, Lebayle T. Pullos

[HD] Xem Phim The Lorax 2012 Vietsub

Phim ngắn

Chi tiêu : $980,131,968

Doanh thu : $036,308,601

Thể loại : Hài hước - Từ âm mưu mưa Émouauge De Vampire , Bài phát biểu - Dịch núi hoang dã , Cướp tài sản - Độc lập , một kẻ thù đen tối pháp luật - Dân chủ

Nước sản xuất : Uzbekistan

Sản xuất : Nhóm ESP

Just not for me. This _Lorax _is almost all filler. The message is still there, but it's lost under a tidal wave of meh.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
The Lorax thneedn’t have shoved its colourful environmentalist message so brutally. Well, the live-action ‘Cat in the Hat’ adaptation was a *cough* massive success *cough* so it was only a matter of years before another Dr Seuss family-friendly book would have its zany vivid world transferred onto the medium of film. Then comes the introductory title screen. A despicable minion pops up next to the bold cancerous studio name “Illumination”, and instantly all hope was diminished.

Aside from their initial franchise, they seem to be unable to create animated flicks without treating the audience like simplistic Neanderthals, and The Lorax takes the biscuit. Patience was running thin just from the introductory musical number alone. A young boy journeys outside the walled plastic city of Thneedville to find a living tree so that he can impress a girl, but soon relives a tale that would change his way of life.

This is a mess. Perhaps unadaptable due to Seuss’ imaginative wordplay that inspiringly illustrates a creative warning against corporate greed and destructive deforestation. Illumination on the other hand, whilst consistently producing colourful and vibrant animations, shoved the morality down the throats of its audience. Within two minutes, the civilians are singing about their perfect plastic bubble and capitalistic functionality. The main character, not the titular creature, has yet to be seen. A Kim Jong-Un lookalike imprisoning his people in a miniature North Korean world fuelled by propaganda. Taylor Swift refusing to sing any of the forgettable songs. And an underdeveloped insight into consumerism by showing one advertisement for canned air.

Then the narrative shifts to flashback mode when “The Once-ler” retells his past mistakes. That being the termination of candy floss trees to manufacture his new invention. High-pitched carps, who clearly watched ‘Alvin and the Chipmunks’, irritate with forced pop culture humour. Cuddly cubs scratching their hairy walnuts on display and devouring slabs of butter. Finally, the spirit of the trees gracefully descends from the clouds by awkwardly hoisting his orange derrière in your face. The Lorax.

Danny “Rule Number 95 Kid, Concentrate!” DeVito. A legend if I’m being honest, but terribly mismatched with the moustached beast. In fact, all of the voice acting was generic and forgettable, never truly matching the wide mouths of its unmemorable characters. The, what is essentially two narrative strands, inadvertently produced an underdeveloped arc that had sole intentions on pushing its well-intentioned morals instead of genuine character development and emotionality.

Illumination aren’t known for their subtle storytelling, and it’s evident in this adaptation. Aside from ‘Hop’ (which we shan’t talk about ever again...), this is by far their weakest mess. Understandably I’m not the target demographic, but children will only be hypnotised by the entrancing colours. I guarantee they shan’t remember it after a few days. What a thneed-fest!


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