Phim The Doors 1991 Vietsub

Xem Phim The Doors 1991 Vietsub

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Xem Phim The Doors 1991 Vietsub

Đoàn làm phim

Cục nghệ thuật phối hợp : Aliénor Hajar

Điều phối viên đóng thế : Jodi Karlis

Bố cục kịch bản :Tore Elvira

Hình ảnh : Emerita Bitania
Đồng tác giả : Nazaire Khalil

Nhà sản xuất điều hành : Urbain Katell

Giám đốc nghệ thuật giám sát : Stella Jenan

Sản xuất : Emilia Arsan

Nhà sản xuất : Filipe Jade

Nữ diễn viên : Joelie Cara

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

6.9
617

Tên phim	The Doors
Thời lượng	152 minute
Năm sản xuất	1991-03-01
Trạng thái	MP4 720p Blu-ray
Thể loại	Drama, Music
Ngôn ngữ	English
Diễn viên	Hiyabel D. Royal, Skinner V. Lindsey, Urbain O. Thibaud

[HD] Xem Phim The Doors 1991 Vietsub

Phim ngắn

Chi tiêu : $900,310,187

Doanh thu : $818,437,574

Thể loại : Cướp tài sản - Quản lý , Đáng sợ - Du kích , Cuộc sống - Quản lý , Thử nghiệm - Chương trình

Nước sản xuất : Na Uy

Sản xuất : Yapim

I KNOW I'm giving way too many stars for this, but I don't care; The Doors were one of my very first favourite groups. I fondly recall, when I was 11, and Elektra Records released 'The Doors' Greatest Hits', and the album-length version of 'Light My Fire' was played all the time on the radio, and I was mesmerized by the instrumental middle of the song, got the album from my parents for Christmas, and started a lifelong love affair with the band. Yes, Jim Morrison is highly overrated. Yes, the movie is an extremely self-indulgent mess and it can be quite incoherent and incohesive. But the Sixties, the L.A. rock scene back then, and especially Morrison's life, were just like that, so it is oh so fitting!

I adore the fact that it was Oliver Stone's labour of love (one of thankfully many) and that the surviving members of the band basically had full input. I would take this and 'Talk Radio' (my personal favourite Stone's throw) over a hundred of Stone's politically over-the-top movies any day!

When I was 17, I took my life savings and visited, on my own, nine European countries, including France and its capital, Paris. Did I go for the Eiffel Tower, wild romance on Richard Linklater-esque trains, or its outstanding magic and sidewalk cafes? No--train-wise I had to put up with a stupid labour strike, such that an overnight sleeper car from Berne, Switzerland to Paris had to be switched, in the middle of the night, FOUR times, just so they could prove a point. And it was just to see Morrison's grave. I met 20 fantastic people who had made the pilgrimage from all over the world, and it was my first time having red wine and smoking pot. The graffiti and the sculpture of him, in the Pere Lachaise cemetery, were fascinating, as was his life. Would I go through that again? Of course I would.

It's Val Kilmer's best work by a mile. The film just oozes charisma and breathes life--just as the band's work must have done back in the day. Worth a purchase and re-watches (I watch it each year on Jim's birthday and accidentally bought it twice), for any fan of 60's music or its culture. A bonafide classic when Stone was actually really something.
A hypnotic film, but it emphasizes the negative side of Jim Morrison and is filled with fabrications.

RELEASED IN 1991 and directed by Oliver Stone, “The Doors” chronicles the Southern California band The Doors and their rise and fall between 1966-1971. The film focuses on charismatic singer Jim Morrison (Val Kilmer) who falls into alcoholism and drug-addiction. He flew to France in March, 1971, to join his girlfriend, Pamela Courson (Meg Ryan), and pursue a different career, but died the next summer due to his ongoing substance abuse. The other band members are played by Kyle MacLachlan (Ray Manzarek), Frank Whaley (Robby Krieger) and Kevin Dillon (John Densmore).

I'm not old enough to remember The Doors. The first time I heard of them was when my older brother asked me if I knew of them. I busted out laughing saying, "The Doors? Why don't they just call themselves The Window Sills." Yeah, I thought the name was pretty lame until I discovered Morrison's reasoning behind it:

There is what is known; And there is what is unknown; In between are the doors

Another thing that won my respect was their song that was used in the opening of “Apocalypse Now,” which is my all-time favorite film (the original version, not "Redux"). After that I bought their "Best Of" album and my impression was that their sound was horribly dated, even THEN. Over time, however, I've come to respect The Doors' music because it's so unique. They don't sound like anyone else. They have a weird, moody vibe, even their 'hits,’ augmented by a strange carnival feel. Over top of it all is Morrison's commanding and haunting vox. I prefer their more artistic songs like "Riders on the Storm" and "The End" as opposed to their 'hits,' but who can deny the catchiness of "Light My Fire" or the goofy charm of "People are Strange"?

The film focuses on Jim Morrison and leaves the viewer with the impression that he was a miserable artistic-genius type who had no sense of moderation; he sought to escape his personal struggle through loose sex, substance misuse and rock 'n' roll. His excessive self-abuse eventually spilled over to those closest to him and ultimately landed him in a premature grave. His body lies in Paris, a mecca to his fans who have spray-painted the surrounding monuments with gaudy graffiti, some of it profane. The image this leaves you with is that Jim Morrison is no fun to be around, even in death.

So “The Doors” is pretty much the ultimate story of sex, drugs and rock 'n' roll. Stone said he based his view of Morrison, as depicted in the film, on 160 transcripts of people that actually knew him or were around him and the band. From these documents emerged a central truth about Morrison's final years, an image of wild excess. Because of this, I was left with a bad impression of the man. I felt Morrison was a spaced-out, immature jerk, abusive to both himself and others, foolishly sacrificing his life and talents on the altar of alcohol & drug idolatry.

Yet this was only part of the truth. Thankfully the 37-minute documentary on the 'extras' disc, "The Road to Excess" (1997), balances things out. One of Morrison's sweethearts, wiccan Patricia Kennealy (played by Kathleen Quinlan in the movie), the guitarist and another guy offer the other side of the story. They properly point out that Stone's film only shows Jim's 'wild & crazy' side, emphasizing that the events depicted in the picture, while sometimes true, aren't "all that happened." They unanimously describe Morrison as genuine, innocent, shy, loving and gallant, an amazing person who made those around him feel important, as if he was their best friend. Robby even states that Jim was "the most influential person I've ever met."

In addition, the documentary features numerous clips of Morrison himself, clearly showing him to be a fun-loving, nice and sane person rather than the spaced-out, abuse-driven dude shown in the film. Needless to say, the documentary helps round-out one's image of the man.

BOTTOM LINE: Val Kilmer doesn't just play Jim Morrison, he IS Jim Morrison. This is no small feat and vital to the film in light of the fact that he appears in practically every frame. He should have won an award. In any case, if you're in the mood for something that captures that late-60s counter-culture vibe “The Doors” is worth checking out, but it tends to exaggerate things in the name of mythmaking, which is usually the case with movies. For instance, Jim never lit up a closet door with Pamela locked inside (rolling my eyes), the idiotic Thanksgiving dinner sequence never happened and the naked revelries at concerts (and the bonfire) are overblown fabrications. Still, the movie’s mesmerizing in a spaced-out way and highlighted by The Doors' music throughout.

Unfortunately, the first half is superior to the second half, which becomes too unpleasant, offering a very limited and unflattering impression of Morrison. That's why it's essential to also watch "The Road to Excess" on the bonus disc or, better yet, the excellent 2009 documentary “The Doors: When You’re a Stranger,” which exclusively uses footage and photos from 1966-1971. Another problem with Stone’s movie is that it loses its dramatic pull in the second half in preference for hypnotic yet chaotic visual mayhem, not to mention outright lies.

Lastly, in “The Road to Excess” Oliver Stone makes a couple of really asinine statements. Commenting on Morrison, he states: "To live life intensely and well and die young and achieve everlasting fame & glory is the greatest. It's Achilles, it's Alexander, it's... Jim Morrison." Huh? Another dubious line is: "The road to excess leads to the palace of wisdom." Is he on drugs? Jim's road of excess led straight to an early grave, not enlightenment.

THE FILM RUNS 2 hours 20 minutes.

GRADE: C (but the "The Road to Excess" documentary gets an A-/B+)
Not enough credit is actually given to this great piece of filmmaking.
Oliver Stone at his finest, some acting performances of the highest degree. Kilmer is supberb as Jim Morrison. Arguably Meg Ryan's best performance. Great cameo's in the movie too.Including Billy Idol. Kyle MacLachlan is great too as Ray Manzarek , Michael Madsen also appears.
I loved the show.

"IS EVERYBODY IN.."


các anime hay The Doors quốc phòng The Ultimate Story of Sex, Drugs & Rock 'N' Roll 9 tích cực giúp bạn dạy con ngoan 1991-03-01 tai phim mien phi nhanh nhat cho dien thoai Robert Richardson, Brian Grazer, Oliver Stone, Oliver Stone, A. Kitman Ho, Clayton Townsend, Risa Bramon Garcia, Billy Hopkins, Scott Martin Gershin, Mario Kassar phim sinh tử tập 54 vtv1 có nhà máy sản xuất học 1 trong 6 tháng phim đại nguyên soái phim k+ hom nay em bé mỹ trung đại học hà nội The Doors của văn bản lão hạc The Ultimate Story of Sex, Drugs & Rock 'N' Roll nhạc edm 1991-03-01 tây ban nha Robert Richardson, Brian Grazer, Oliver Stone, Oliver Stone, A. Kitman Ho, Clayton Townsend, Risa Bramon Garcia, Billy Hopkins, Scott Martin Gershin, Mario Kassar phim4400 phim đại sư huynh học thêm 1 ngôn ngữ các bút bi so sánh 3 chiếu hịch cáo sử dụng trong hợp đồng aphim tv diên hi công lược.